tarento
Jagged Fence Productions and Danielle Tarento present
Three Sisters
"a vital and vibrant production that remains highly respectful of its source material. Chekhov would cheer"
★★★★  Evening Standard
"a deeply moving retelling suitable as much for Chekhov newbies as for seasoned afficianados"
★★★★  WhatsOnStage
"Bolam's production is full of intriguing supporting performances... credit to Danielle Tarento's casting"
★★★  Time Out
"you'll laugh, you'll cry, and you'll be on the edge of your seat...an absolute must-see"
★★★★★  Gay Times
"a remarkable interpretation of the Russian classic"
★★★★  Jonathan Baz
"Reiss's contemporary version is crisp, fluid and lively and reinforces just how close we feel to Chekhov's characters"
★★★  Financial Times
"if you're a Chekhov fan then this won't disappoint. If you're new to Chekhov's work then you couldn't get a much finer introduction than Reiss's reworking. This has to be one of the must see plays of the spring"
★★★★★  The Gay UK
"Reiss' fresh take on the classic brings 'Three Sisters', and Chekhov, to a whole new audience and, for that alone, is a very important piece of theatre"
★★★★★  PlaysToSee
"a joy to watch with probably one of the strongest casts I've seen, who bring Chekov to life for a 21st century audience. Whether you're an existing fan or new to his work, this modern adaptation will leave you wanting to see more"
★★★★  The Good Review
"with the high standard of productions we have come to expect from Danielle Tarento, Jagged Fence and Southwark Playhouse, Three Sisters is no exception"
 Bargaintheatreland
"Tarento has gathered together an absolutely remarkable cast of actors"
 Renmotegoat
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014© Annabel Vere, 2014© Annabel Vere, 2014
© Annabel Vere, 2014